|
1. Keep My Soul
2. Comedown
3. Stones
4. Eye Candy
5. One More Time
6. Pick Me Up
7. Invisible Things
8. Broken Man
2. Comedown
3. Stones
4. Eye Candy
5. One More Time
6. Pick Me Up
7. Invisible Things
8. Broken Man
Comedown
[Release Date: September 29, 2009] (Redhammer Records)
Track Listing:
Track Listing:
9. Begging You
10. Walking Through Walls
11. Throw Myself
10. Walking Through Walls
11. Throw Myself
 | |  | |  | |  | |  | |  | |  | |  | |  |
2.2 out of 4
2.9 out of 3
2.0 out of 2
1.0 out of 1
8.1 out of 10
Message
Music
Production
Creativity
Overall Score
| 81% B- |
After creating a buzz at this year’s GMA awards, the Norwegian pop/rock outfit
Dreampilots is ready to release their debut, Comedown, here in the States. The cause for
all the buzz- Dreampilots unique sound, a seamless combination of classic pop/rock and
alternative rock elements of the band’s primary influence, Radiohead.
The two opening tracks “Keep My Soul” and “Comedown” have an early ‘70’s vibe with
Oddi’s warm vocals, synthesizer usage, and sizzling guitar riffs. Even with the classic
sound, both songs are very catchy and would appeal to today’s generation.
“Stones” references a passage in John chapter 8. In the passage, the Pharisees bring an
adulteress to Jesus and say, “In the Law Moses commanded us to stone such a woman.”
To that Jesus replies, “If any of you is without sin, let him be the first to throw a stone
at her.” The song (and passage) asks listeners to examine themselves before passing
judgment on someone else’s sin and reminds “Only God should speak tonight.”
From the opening guitar riffs, “Broken Man” sounds like something pulled from the
Rolling Stones’ catalog. The first couple of lines pretty much sum up the song’s
message- “Forgive me Lord for the times I didn’t see You/I was too busy staring at
myself.”
“Stones” and “Broken Man” offer the most straightforward messages on the album,
however most of the remaining songs aren’t as clear-cut. “Invisible Things” is especially
ambiguous and just downright bizarre in spots- “Indian scream/Haunting me/I feel the
heat/On the battlefield/On top of the world/Kings and queens/The lion is friendly/Ruling
the scene.”
From a lyrical standpoint, it’s difficult to determine the exact message being conveyed
throughout the album. But, while it’s not explicit, Comedown does carry a semblance of
hope. Musically, Dreampilots brings a remarkably refreshing style of music to CCM;
creativity oozes out of every aspect of Comedown.
Closing Thoughts:
It’s not too often that I come across an album so unique as Comedown. Yet the music
isn’t so aberrant that it’s not accessible. Comedown has the potential to appeal to classic
pop/rock fans and contemporary pop/rock fans alike.
Dreampilots is ready to release their debut, Comedown, here in the States. The cause for
all the buzz- Dreampilots unique sound, a seamless combination of classic pop/rock and
alternative rock elements of the band’s primary influence, Radiohead.
The two opening tracks “Keep My Soul” and “Comedown” have an early ‘70’s vibe with
Oddi’s warm vocals, synthesizer usage, and sizzling guitar riffs. Even with the classic
sound, both songs are very catchy and would appeal to today’s generation.
“Stones” references a passage in John chapter 8. In the passage, the Pharisees bring an
adulteress to Jesus and say, “In the Law Moses commanded us to stone such a woman.”
To that Jesus replies, “If any of you is without sin, let him be the first to throw a stone
at her.” The song (and passage) asks listeners to examine themselves before passing
judgment on someone else’s sin and reminds “Only God should speak tonight.”
From the opening guitar riffs, “Broken Man” sounds like something pulled from the
Rolling Stones’ catalog. The first couple of lines pretty much sum up the song’s
message- “Forgive me Lord for the times I didn’t see You/I was too busy staring at
myself.”
“Stones” and “Broken Man” offer the most straightforward messages on the album,
however most of the remaining songs aren’t as clear-cut. “Invisible Things” is especially
ambiguous and just downright bizarre in spots- “Indian scream/Haunting me/I feel the
heat/On the battlefield/On top of the world/Kings and queens/The lion is friendly/Ruling
the scene.”
From a lyrical standpoint, it’s difficult to determine the exact message being conveyed
throughout the album. But, while it’s not explicit, Comedown does carry a semblance of
hope. Musically, Dreampilots brings a remarkably refreshing style of music to CCM;
creativity oozes out of every aspect of Comedown.
Closing Thoughts:
It’s not too often that I come across an album so unique as Comedown. Yet the music
isn’t so aberrant that it’s not accessible. Comedown has the potential to appeal to classic
pop/rock fans and contemporary pop/rock fans alike.
Review Written By: Cara Fisher [cara.fisher@christianmusicreview.org] Date Written: September 20, 2009
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| [Album Review] |
| Dreampilots |